CV
RESIDENCIES
March 23-27th 2026, Artist Residency, Albion Nights
May - July 2016, The Glenfiddich Distillery International Residency Prize, Scotland, UK
SELECTED EXHIBITIONS
September 19th - 20th 2026, Open Studios, Walberswick,
September, 2025, Walberswick Open Studios, Suffolk,UK
April 2024, Solo show -Art At The York . Norfolk UK
June 2023, Drawn To Nature . The Gallery, Holt UK
September 2023, Open Studios . Norfolk UK
April 2022, Artcan at The Shard. London UK
September 2022, Open Studios. Unthank Artspace UK
February 2021, Solo show - Landscape . Riverside Art And Glass. Norfolk UK
August 2020, Art At The Anchor. Walberswick UK
November 2018, Art Fair East . Norfolk UK
September 2017, Open Studios. Norfolk UK
June 2018, Art Of Wet. The Undercroft Norfolk UK
November 2018, Solo Show - Contemporary Landscape Paintings Gallery In The Lanes, Norfolk UK
December 2017, Art Fair East . Norfolk UK
November 2015, PAINT. The Undercroft Norfolk UK
Feb 2014, Solo show - Lisa Almond, Landscape Paintings . Roger Hickman UK
December 2014, PAINT. Stew Gallery Norfolk UK
September 2013, Open Studios. Unthank Art Space UK
January 2012, Meditations. The Maddermarket Theatre UK
January 2012, Making Space. Norfolk UK
August 2010, Solo. WinterPark Gallery, Colorado USA
REPRESENTED BY
Statement
My paintings are inspired by nature, atmosphere, folklore and meditation. When I first began painting, I didn’t think of it in those terms, I was just trying to make what I saw in my head exist on the canvas.
I’m pretty hard on my materials, which is why I like working with acrylic. I work with brushes, cloths and a spray bottle to move the paint around, adding and removing it to reveal what’s underneath. I like responding to what’s already there and letting the hidden layers influence the direction the painting takes.
I love the element of surprise in the process. If an unexpected mix of colour appears on the canvas, I tend to follow it rather than correct it. Those unplanned moments often lead somewhere better than what I had intended.
I sometimes use iridescent paints, which add another layer of unpredictability. They shift with the light, so as you move around the room the painting changes too. It makes them difficult to photograph, but hopefully more alive in person.
Early lines and marks often reappear as I work, showing through before being built over again. It’s a good lesson in patience, learning when to push forward and when to stop, and allowing each painting the time it needs to find its own balance.